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The Man Who Laughs and The Nao of Brown Shortlisted for British Comic Awards

25 September 2013

The British Comic Awards committee this morning announced the shortlist for this year’s prizes, and it’s good news for Mark Stafford and David Hine, and also for Glyn Dillon. The Man Who Laughs and The Nao of Brown are both shortlisted in the ‘Best Book’ category. The shortlist was whittled down from hundreds of eligible titles by a committee of 9 industry professionals and academics. The winners will be decided by a judging panel that includes comedians Lenny Henry and Josie Long, and the ceremony will be held at the Thought Bubble convention in Leeds on Saturday 23rd November.

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The full list of this year’s nominees is available on the British Comic Awards website. Congratulations to those who made shortlist, and good luck to Mark, David and Glyn. Our fingers are firmly crossed!

A Reading List from the Graphic Novel Masterclass

12 September 2013

Following Saturday’s Guardian Masterclass, we thought we’d share some of the books the tutors recommended to up-and-coming graphic novel creators. These six quite different books form a useful reading list for anyone interested in writing or illustrating graphic novels.

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1. Drawing on the Right Side of the Brain by Betty Edwards

Recommended by: Audrey Niffenegger

What it’s good for: writers who think they can’t draw. (It turns out you can.)

2. Story by Robert McKee

Recommended by: Pat Mills

What it’s good for: developing and refining your plot. (This book might be aimed at screenwriters, but the same principles apply to creating comics.)

3. What It Is by Lynda Barry

Recommended by: Karrie Fransman (if we remember correctly…)

What it’s good for: curing writer’s block.

4. Plotting and Writing Suspense Fiction by Patricia Highsmith

Recommended by: Audrey Niffenegger

What it’s good for: knowing what to reveal to your reader, and when to reveal it.

5. Understanding Comics by Scott McCloud

Recommended by: Karrie Fransman

What it’s good for: understanding the history of comics and how they are read.

6. How Fiction Works by James Wood

Recommended by: Audrey Niffenegger

What it’s good for: understanding the machinery of storytelling.

And, as if that weren’t enough to get you started, Pat Mills has provided a comprehensive write-up of his masterclass talk on his blog. Take a look; you’ll learn a lot.

Tweet your top tips and book recommendations to @selfmadehero.

SelfMadeHero’s Guardian Masterclass Tutors Recommend their favourite Graphic Novels

2 September 2013

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In advance of Saturday’s ‘How to Write a Graphic Novel’ masterclass, curated by SelfMadeHero for The Guardian, we asked four of the event’s speakers to recommend a key text to budding graphic novelists. Here’s what they had to say:

Audrey Niffenegger, Writer and Artist

Life? or Theatre? by Charlotte Salomon

“I admire it because she was inventing a form to contain her life, the book is strange, honest, and extremely original. It was made long before the notion of a 'graphic novel' took hold, and so she followed no rules and the book is the result of her need to tell (and show) her story.”

Paul Gravett, Writer

Annie Sullivan and The Trials of Helen Keller by Joseph Lambert

“In what is much more than a historical graphic biography, Lambert uses the visual/textual alchemy unique to comics brilliantly to convey the interiority of a blind, mute little girl’s halting, gradual awakening to the outside world and to her place in it, and the depth of caring and resolve of her tutor Annie Sullivan who takes her there.”

Pat Mills, Writer and Creator of 2000AD

Persepolis by Marjane Satrapi

“It’s a great story with identifiable characters and superb art, and it demonstrates how “political” themes can make excellent drama. ”

Karrie Fransman, Writer and Artist

The Wrong Place by Brecht Evens

“The Wrong Place demonstrates just the right balance of good storytelling and dialogue mixed with stunning painted visuals. In addition, it manages to break out of the usual ‘panels and speech bubbles’ formula while remaining readable and coherent.

“I’d also recommend getting your hands on a copy of the Blab anthologies published by Fantagraphics. They have an amazing mix of media and really demonstrate the potential of the medium: collage comics, history comics, painted and printed comics and even graphic journalism. Lots of inspiring stuff!”

Tickets are still available for the masterclass, which runs from 9am to 5pm this Saturday (7th September). To find out more – and to book tickets – click here.